Archiwum wykładów

02 Listopad, 2017

 

  • prof. Thomas Solomon (Bergen), Theory and method in popular music analysis: Text and meaning - 2015
  • prof. Barry Truaxa (Simon Fraser University, Kanada), Soundscape Composition: Linking Inner and Outer Complexit - 2014
  • prof. Helen Simonett, Imagining and Imaging the Sacred World of the Deer Singers (Northwest Mexico) - 2014
  • prof. Zofia Dobrzańska-Fabiańska (Instytut Muzykologii UJ), Kategorie durus i mollis w madrygałach Monteverdiego: ich funkcja tonalna i ekspresyjna - 2014
  • prof. Helen Geyer (Weimar-Jena), Eine letzte Botschaft: das Nirwana? Überlegungen zu Benjamin Brittens "Death in Venice" - 2013
  • dr Renato Morelli (Universita Di Trento), Filmare la "Multipart Music". Problemi, metodologie, prospettive - 2013
  • prof. Klaus Näumann (Institut für Europäische Musikethnologie Universität zu Köln, Humanwissenschaftliche Fakultät), Traditional Elements in the Rock music of Belarus - 2013
  • prof. Hee Sook Oh (Seoul National University), Contemporary korean composition: ‘intercultural’ problems of bi-cultural instrumentation - 2012
  • prof. Edwin Seroussie (Hebrew University of Jerusalem), From Spain to the Eastern Mediterranean and Back: Authenticity and Modern Imagination in the Judeo-Spanish Song - 2011
  • prof. Ursula Hemetek (Institut für Volksmusikforschung und Ethnomusikologie Universität für Musik und darstellende Kunst, Wien), "Gelem, gelem lungone dromeja"- I have walked a long road. Aspects of Unity and Diversity in Romani Music - 2011
  • prof. Tran Quang Hai (Centre national de la recherche scientifique, Francja), Discovery of Overtone Singing in Central Asia (Tuva and Mongolia) - 2011
  • prof. Halina Goldberg (Indiana Universi­ty - Bloomington), The Jewish Self/the Jewish Other: Performing Identi­ty in the “Majufes” - 2010 
  • dr Subhendu Gosha, A Journey through Indian Classical Music - 2010